Emily Danforth’s Plain Bad Heroines (2020) is an unsettling read; one replete with ghosts, curses, nightmarish yellow jackets, and plenty of the uncanny. Yet, in addition to the horror—a genre Danforth clearly plays with on multiple levels in PBH—the reader meets the witty, modern narrator, with her references to social media posts and snide humor. Plain Bad Heroines explores the lives and loves of women, both contemporary and early twentieth-century, as they unapologetically make their own ways. Plain Bad Heroines, like Danforth’s first novel, The Miseducation of Cameron Post, is LGBTQ fiction.