So often writers tease out an elaborate story by asking a series of compelling what-ifs. In the case of Percival Everett’s most recent novel, James (2024), this is certainly the case. Everett spins an alternate history of American slavery that draws the reader in and provokes readers to reconsider certain narratives. Because, what if? James is the tale of the enslaved man readers met a century ago in Mark Twain’s Adventures of Huckleberry Finn, but Everett’s Jim is far more complicated and dynamic than his literary debut (à la Twain) depicted.