Irish poet Doireann Ní Ghríofa’s part memoir, part translation A Ghost In the Throat (2020) is, as she states from the beginning, “a female text” (3). In fact, lest her reader fail to absorb this, she titles her first chapter “a female text,” her first line of the first chapter (after the epigraph of a few stanzas of Eiblín Dubh Ní Chonaill’s “Caoineadh Airt Uí Laoghaire” or “Keen for Art ó Laoghaire”) is all in caps (“THIS IS A FEMALE TEXT.”), and then her memoir concludes: “This is a female text” (282). It is clear, she means us all to associate her text, and Eiblín’s as well, with the female. As such, it is both organic and circular, dynamic and complex.