I have certainly read thick books before, but never in such a paced manner and as January turned to February, then to March, I found myself enraptured by Tolstoy’s great work. I couldn’t believe it had taken me so long to pick it up.
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I have certainly read thick books before, but never in such a paced manner and as January turned to February, then to March, I found myself enraptured by Tolstoy’s great work. I couldn’t believe it had taken me so long to pick it up.
On Earth We’re Briefly Gorgeous (2019) by Ocean Vuong is a poetic, organic coming-of-age novel about a Vietnamese American child, Little Dog. Vuong crafts the novel as a letter of sorts that Little Dog writes to his illiterate mother. It is intimately personal, written in first person, as it bounces from point to point in the narrative of his childhood and adolescence.
When I picked up Barkskins (2016) by Annie Proulx, I expected a book about trees. And trees there most certainly are growing among its pages, although not in the Richard Powers’ The Overstory sort of way; trees are not characters and the tree-inspired figurative constructs with which Proulx crafts her novel differ greatly from Powers’. What I found was something more than trees but certainly relating to them both as a subject and a metaphor. Proulx’s multi-generational story spans the course three and half centuries. In that sense, it is tree-like; many arboreal species live much longer than that. Spread over so much time, this hefty novel (it exceeds 700 pages) comes to life with a large cast of characters, so large that the family trees at the book’s end are useful, even necessary. At the heart of all their stories is a familial link to trees.