A few of my favorite reads…
CONTEMPORARY & CANONICAL ǁ NEW & OLD.
Fiction ※ Poetry ※ Nonfiction ※ Drama
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Rarely does a book-length poem hold its reader as tenderly and intimately as Ross Gay’s Be Holding (2020) held me. I never would have thought I would encourage everyone I know to read an ode of sorts to basketball legend, Julius Erving (famously called Dr. J.), and yet here I sit, enthusiastically doing just that.
Michele Duster’s Ida B The Queen: The Extraordinary Life and Legacy of Ida B Wells (2021) is at once a powerful, aesthetic biography of Ida B Wells and the Civil Rights Movement generally, and a coffee table book brimming with engaging photos and moving graphics accessible to every member of the family.
works that envision various possible experiences of enslavement and the Underground Railroad like Colson Whitehead’s The Underground Railroad (2017), provide modern Americans with ample food-for-thought when considering race relations, questions of reparations, and more. Whitehead’s novel, winner of the Pulitzer Prize for Fiction in 2017 and the National Book Award, provides an alternate history of slavery in the American South, not in terms of downplaying its brutality, but by exploring various means of dealing with its consequence.
Angie Thomas’s The Hate U Give (2017) is a gut-punch of YA novel. Starr, the novel’s high school protagonist, exists between two worlds. She lives in the poor, predominately Black, neighborhood of Garden Heights; she attends high school in an upper-middle class, predominately white suburb.
J. D. Vance’s Hillbilly Elegy (2016) is memoir punctuated by social commentary. Thirty-something Vance tells his life story, which, no doubt, starts out like many kids who live amidst broken families and poverty in the American Midwest. Growing up in Ohio, the grandson of Kentucky hillbillies, Vance’s memoir becomes an elegy for all the Scots-Irish of Appalachia, all the hillbillies.
Fatima Farheen Mirza’s debut novel, A Place for Us (2018) is a touching a family drama punctuated on modern American issues, particularly those of immigrant families.
Among the notable witch-themed novels out this year is Alix E Harrow’s The Once and Future Witches (2020). Harrow creates a late nineteenth-century fictional world of Crow County (think southern Appalachia) and the New Salem (one hundred miles south of the ruins of old Salem). From its opening line, magic runs through The Once and Future Witches, as three wayward sisters, whom life has separated for seven years, find themselves drawn to the same city square on the same day.
I convened with the Owens family in Alice Hoffman’s Practical Magic (1995), Rules of Magic (2017), and Magical Lessons (2020). By reading all three novels together, I enjoyed a month of magically lovable witches battling the challenges and frustrations of being independent creatures in a world that doesn’t appreciate their unconventional style or power. Hoffman’s novels build prequel upon prequel as she works closer and closer to the root of the Owens’ family story and its curse.
Set in the early twentieth-century English county side, Dodie Smith’s I Capture the Castle, is the first-person journal of Cassandra Mortmain in year of her eighteenth birthday.
Fried Green Tomatoes at the Whistle Stop Cafe serves up recipes for good living and good eats as it weaves two story lines together. It reflects upon the complicated history of a tiny Alabama town during the first half of the twentieth century, as well as the struggle of one middle-aged woman’s attempts to love herself near the century’s end.
Humankind interweaves anecdotal evidence and extensive research to prove that humans are, in fact, kind, cooperative, and trusting, even if we are doubtful of that fact ourselves.
Zadie Smith’s Intimations (2020) is a collection of six essays in which she ruminates upon her myriad mental wanderings during this unprecedented year.
John Williams’s Stoner (originally published in 1965 and re-released in 2003) follows the life of titular character William Stoner from his childhood home on the Missouri plains to the University of Missouri where he found his calling in the study literature. Williams’s prose is as plain and straightforward as is his protagonist, but the emotional depth of this novel as it weaves through decade upon decade from the 19teens onward, is deeply moving.
Max Porter does something both unique and disquieting in his novel Lanny (2019). Set in a sleepy English village (within commuting distance of London) in modern time, Lanny is family drama set amidst the cacophony of villager voices as overheard by mystical, other-worldly Dead Papa Toothwort.
Ingrid Rojas Contreras’s debut novel The Fruit of the Drunken Tree (2018) is a powerful articulation of life in Colombia in the 1980s and 90s and is a wonderful example of Own Voices narrative. Told predominately from young Chula’s perspective as she looks back on her comfortable life in a gated community in Bogotá, from the refugee life she comes to inhabit in LA, this story shines light on the traumas many immigrant families veil in silence once they arrive on American soil.
Desperate Remedies (1871) was Thomas Hardy’s first published novel. Written chronologically by date, from 1835 to the 1860s, the chapter title move the reader through “The Events of Thirty Years,” “The Events of a Fortnight,” “The Events of Eight Days” and so on. With every passing hour, day, week, year, Desperate Remedies leads its reader through the coming-of-age events in young Cytherea Graye’s life.
In Alka Joshi’s debut, historical fiction novel, The Henna Artist (2020), Lakshmi Shastri, the henna artist premier in 1950s Jaipur, recounts her story.
Sue Monk Kidd’s The Book of Longings (2020) presents a beautiful, and at times raw, look at the life of women in first century Israel and Egypt. Ana, from whose first-person perspective the story unfolds, is the daughter of the local regent’s head scribe. She comes of age in a world of strict social and class roles, rigid along gender lines, in Sepphoris of Galilee in the early years of Common Era.
Through the intimate voice a sister writing her closest living brother, as well as the thoughts in her Marriage Diary, The Wright Sister (2020) describes and unpacks the most private of life’s details, but in succinct, often poetic or humorous, terms. The novel progresses through Katharine’s letters to Orv and her marriage diary entries from fall of 1926 to spring of 1929 when she faces her first truly solo flight.
